宠物与我

简介：

　　Witness the immense power, beauty and diversity of the Amazon region, from its source in the high Andes through the rain forest canopy and into the Amazon basin. Amazon is the story of two medicine men from vastly different worlds sharing a common quest: the search for the medicinal qualities of native plants.

简介：

《米特》以令人耳目一新的坦诚视角，展现了一位主要总统候选人的私人时刻。影片邀请观众走进米特·罗姆尼及其亲密的家人，了解他最近两次竞选总统的历程。罗姆尼是一位非常注重隐私的人，他对于是否让妻子和家人经受竞选的严酷考验和曝光感到矛盾。在2008年初选中被参议员约翰·麦凯恩击败后，罗姆尼似乎不太可能再次参选。四年后，故事从罗姆尼获得共和党提名并与奥巴马总统进行首场辩论开始。

简介：

观众将在来自英国的美食调查员大米的带领下，领略丝路风光，共同感受蕴藏在美食背后神奇的丝路文化和灿烂历史，在强大的传播影响力基础上实现丝路文化、中国故事的国际表达。美食、美景、风情、故事，备受关注的大型电视纪录片《面面大观——丝绸之路上的面食》即将于2017年9月4日在中央电视台纪录频道播出。该纪录片是系列纪录片《面面大观》的第一季作品，作品采用全新的户外纪实类节目制作模式，以明快的叙事节奏、活泼的讲述语言、逼真的影像风格来满足受众的观赏期待，聚焦于丝路沿线多样的面食文化，从美食看生活，从美食讲丝路。

简介：

《北极》是一部IMAX3D 纪录片，由IMAX公司、迈克沃瑞·弗里曼巨幕电影公司、华纳兄弟影片公司联合制作。影片由美国著名纪录片导演格雷戈·迈吉里弗雷执导，奥斯卡影后梅里尔·斯特里普为其叙述旁白，奥斯卡金像奖保罗·麦卡特尼为其操刀配乐，制作阵容可谓十分强大。                                                                      　　在超过4年的时间里，导演格雷戈·迈吉里弗雷带领着他的电影制作小组分7次来到了北极，共计用了8个月的时间不断地挖掘和拍摄了大量来自于冰面和海洋的故事。导演格雷戈·迈吉里弗雷用3D摄像机捕捉到了那些在别人看来根本就不可能实现的内容或主题，将那些人力不可及的自然环境全部以栩栩如生的方式展现在观众面前，把北极广阔的冰河、雄伟的冰川、宏伟壮观的瀑布、庄严肃穆的雪山还有北极熊母子之间的深切爱意展露无遗，呈现给观众惊心动魄的极地影像奇观。                                                                      　　在IMAX3D影像呈现下，观众可以释放全身的感官去张开想象力的翅膀，近距离地观察北极熊艰苦求生的生命史诗，一起领略北极震撼的自然风光。观众可以和海狮一起站在苍茫的雪原上吹凛冽的寒风，和北极熊妈妈一起在幽蓝的海水中潜游，和海鸟一起翱翔在雄伟的雪山之巅，和熊宝宝一起在巨大的冰川上看绚丽无比的北极光……一切都如身临其境。

简介：

　　LIFE IN THE DOG HOUSE will tell the inspiring stories of Danny and Ron's Rescue (501c3). The film will showcase their unique approach to dog rescue and adoption, which has enabled them to rescue and adopt out 10,000 dogs.

简介：

　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
　　Alexander Kluge: The Power of Feeling
　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

简介：

暂无简介

简介：

自然界有很多神奇的生物“拍档”：在海床深处，小丑鱼和海葵生活在一起，躲避捕食者的追踪；在美洲丛林中，长尾灰叶猴与斑鹿共同防御美洲豹的袭击；在尼罗河河滩上，水石鸻与可怕的尼罗鳄合作对付偷蛋的巨蜥……这些神奇的生物拍档，或是“室友”，或是“伴侣”，甚至是某种“危险关系”。它们为了生存，进化出令人惊叹的共生关系，结成人类无法想象的奇怪“友谊”。

简介：

简介：

2021年6月至12月，“时代精神耀香江”之百年中国科学家主题展暨月壤入港、仰望星空话天宫、大国建造主题展、内地奥运健儿访港活动相继在香港亮相，受到香港民众热烈欢ccc。纪录片——《时代精神耀香江》完整呈现这一活动。

简介：

简介：

记录了喜剧演员艾迪·伊扎德 (Eddie Izzard) 的成名之路，从早年母亲因癌症去世，随后与兄弟一起被送往寄宿学校，到如今与父亲的亲密关系。《相信》记录了喜剧演员艾迪·伊扎德 (Eddie Izzard) 的成名之路，从早年母亲因癌症去世，随后与兄弟一起被送往寄宿学校，到如今与支持他的父亲的亲密关系。在学校时，当他看到加入剑桥脚灯剧团对职业生涯的巨大帮助时，他的目标变成了追随休·劳瑞、斯蒂芬·弗莱和艾玛·汤普森，争取在大学里获得一席之地。当这个目标没有实现时，他前往爱丁堡艺术节，只带着一辆独轮车和一些玩笑，最终弄清楚了如何吸引人群。从那以后，他一直在努力。 “相信”是艾迪·伊扎德的座右铭：如果你想成为一名歌手，你必须相信自己能唱歌；如果你想成为一名喜剧演员，你必须相信自己能搞笑。艾迪相信自己，正是这份坚定的自信，让他在被视为职业终结的时代，依然以异装癖者的身份登上舞台。当他在西区演出的《Dress To Kill》大获成功并赢得评论界赞誉时，他只能感谢自己预订了剧院。这部电影结合了家庭录像、剧照和档案片段，展现了这位表演者的肖像。